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About Marrakech prefecture

Marrakech (in Arabic: Ù…Ű±Ű§ÙƒŰŽ) is a prefecture of the Moroccan region of Marrakech-Safi (In Arabic: Ù…Ű±Ű§ÙƒŰŽ - ŰąŰłÙÙŠ).

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News 28 Jan 2025 9 min read

1-54 Marrakech: THE MUST-SEES

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1-54 Marrakech: THE MUST-SEES

Since the beginning of 1-54 in Marrakech, the city's entire cultural scene has been in tune. A short guide to the events not to be missed.

© Laberinto Studio / Photos: Fayçal Tiaiba.

Save the Gueliz district!
Conceived as a manifesto in favour of the architectural heritage of the historic Gueliz district, the photographic exhibition "Gueliz Manifesto" is initiated by the Laberinto studio, created by architect-photographer Fayçal Tiaiba. Since 2023, he has established the Atelier Gueliz, a true research laboratory in search of sustainable proposals to develop a district prey to all kinds of speculation. This collaborative project intends to shake up consciences and spark fruitful debates.

"Gueliz Manifesto", Imprimerie RĂ©gionale 1945, Gueliz district, 30 January – 2 February.

AbdelkĂ©bir Rabi’, Boulemane, 2023-2024, charcoal on paper mounted on canvas, 250 x 200 cm. Courtesy of the artist and Khalid Art Gallery.

AbdelkĂ©bir Rabi’ from life
Conceived as a manifesto in favour of the architectural heritage of the historic Gueliz district, the photographic exhibition "Gueliz Manifesto" is initiated by the Laberinto studio, created by architect-photographer Fayçal Tiaiba. Since 2023, he has established the Atelier Gueliz, a true research laboratory in search of sustainable proposals to develop a district prey to all kinds of speculation. This collaborative project intends to shake up consciences and spark fruitful debates.

"Fusains de lumiĂšres" (Charcoals of Light), AbdelkĂ©bir Rabi’, Khalid Fine Arts Gallery, Medina district, 28 January – 15 March.

Jessica Elmal, The water we seek. Photo: Jules Lister. Courtesy of the artist.

Heading for the Moroccan diaspora
Based on an idea by artist Mehdi El Largo and curator Farah Maakel, 16 artists from the Moroccan diaspora are invited to take over a historic site in Marrakech, transformed for the occasion into an ephemeral art gallery. A great opportunity to discover unique worlds and mediums as diverse as photography, video, and digital arts. Committed to their era, the chosen artists mostly address decolonial or identity-related issues that will resonate with the public.

"Nostalgie du PrĂ©sent" (Nostalgia of the Present), RĂ©sidence El Hamra, Gueliz district, 30 January – 7 February.

Mohamed Hamidi, Untitled, 2010, mixed media on canvas, 83 x 113 cm. Courtesy of the artist and La Galerie 38.

Re-enchanting the world at La Galerie 38
A breath of poetry blows through La Galerie 38. Its two exhibitions scheduled in the Off programme invite us to ward off the gloom of a world shaken by crises. The first, conceived around the notion of enchantment, brings together around fifteen artists, figures of the contemporary African scene such as Soly Cissé, Abdoulaye Konaté, Barthélémy Toguo, and Dominique ZinkpÚ. The second creates a dialogue between the works of Kendell Geers and Mohamed Hamidi. The upward movement of Hamidi's birds, symbols of freedom and spiritual quest, echoes Kendell Geers' reflection on the modern world through the motif of the flower, a metaphor for resistance.

"Les Enchanteurs" (The Enchanters), collective exhibition – "La confĂ©rence des oiseaux" (The Conference of the Birds), Kendell Geers – Mohamed Hamidi, La Galerie 38, Gueliz district, from 30 January.

View of the exhibition "Lalla Essaydi: The Visible Unveiled".

Lalla Essaydi returns to Dar El Bacha
Who has never seen the famous photos from Lalla Essaydi's Harem series? Created in 2009, this set of portraits, which truly revealed the artist, revisits the social and historical realities of the harem, an intimate space traditionally reserved for women in Muslim societies. What is delightful here is that the architecture of the place dialogues with the snapshots. And for good reason, the series was shot at Dar El Bacha. This mise en abyme works very well. An exhibition by the Cameroonian AngĂšle Etoundi Essamba is also to be discovered.

"Lalla Essaydi: The Visible Unveiled", Dar El Bacha Museum of Confluences, Medina district, until 23 March.

Souki Belghiti, Dans la forĂȘt (In the Forest) series, prints on Fine Art HahnemĂŒhle Rag 308g paper, 30 x 40cm. Courtesy of the artist.

When tradition and technology meet at Dar Izza
Dar Izza Marrakech offers a unique scenographic experience placed under the sign of encounter and desire, between artists keen on digital technologies and artists adept at monumental installations such as Safaa Erruas, Amina Agueznay, or Amina Benbouchta. The exhibition "Line(s) of Desire" intends to create a dialogue between contemporary experiments and the perpetuation of ancestral gestures of weavers and embroiderers.

"Line(s) of Desire: or a Question of Non-Frontier", Dar Izza, Medina district, until 12 February.

Lara Baladi, E + ducere, To lead or To Draw Out, 2024, photomontage, dimensions, colours, and materials variable. Courtesy of the artist.

Arab revolutions at the Malhoun space
The Malhoun space hosts Egyptian-Lebanese artist Lara Baladi, who has been archiving, since the 2011 Egyptian revolution, a whole iconography related to the Arab revolutions and various social movements. The exhibition "E + ducere, To Lead or To Draw Out" proposes various works including a multimedia installation addressing the thorny border between education and indoctrination. For the occasion, the artist collaborated with the artisans of Fenduq, Eric Van Hove's workshop, to create a unique sculpture made of wood, copper, and leather. This solo show is part of the general exhibition N’zaha/Ű§Ù“Ù†ŰČŰ§Ù‡Ù‡

Lara Baladi, "E + ducere, To Lead or To Draw out", Malhoun Art space, Gueliz district, 25 January – 25 December.

Mohamed Arejdal, Wall tapestry, 2024, synthetic foam, embroidered fabrics, and lavender, hand-sewn on panel, okoumé wood, and steel. Courtesy of the artist and Comptoir des Mines gallery.

Nomadism at Comptoir des Mines
In completely renovated premises, Comptoir des Mines presents two unique exhibitions. For his third solo show at the gallery, Mohamed Arejdal revisits nomadic culture, notably through a series of wall tapestries that summon all the senses. A new hanging also allows for the rediscovery of the exhibition dedicated to works created by Mohamed Kacimi during the years 1994-2003, which coincide with his numerous stays on the African continent, in search of a fraternal otherness.

"Ifergan" by Mohamed Arejdal and "Mohamed Kacimi 1994-2003, A Universal Work", Comptoir des Mines, Gueliz district, 30 January – 29 March.

HélÚne Amouzou, Exploration 1, 2024, gelatin silver print, 61 x 50.5 cm. Courtesy of the artist and Fondation Montresso*.

Discovering Togo at Fondation Montresso
The exhibition "Universal Animisms", curated by Ayoko Mensah, invites 7 Togolese artists to explore, from their respective practices of performance, sculpture, painting, or photography, the different facets of the rituals of Vodun and FĂą, which initially appeared in the Gulf of Benin. The Foundation also hosts two solo shows, one by the Franco-Congolese street artist Kouka, famous for his Bantu warriors, and the other by the Moroccan painter Hajar El Moustaassim ("Oqad").

"Universal Animisms", In-discipline Programme, Fondation Montresso*, Douar Ouled Zbir, 1 February – 26 April.

The article 1-54 Marrakech: THE MUST-SEES appeared first on Diptyk Magazine.

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